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I ran into Mike Morris at last years NAB in Las Vegas, and he briefly went over the system with me. A few weeks after the show in Las Vegas Mike gave me a call to see what I thought about the unit. I liked the durable nature of the unit, and the user-friendly mix/minus. So I asked if it was possible to get a unit to Los Angeles for a trial basis and he agreed. Once I had the unit in my hand, I thought to myself "What a neat little mixer." So I gathered up my remote package along with the "Scoop" and my satellite, and ventured to an area outside my building where I had a view of one of my available satellites. The unit recognized my satellite modem immediately, but I had a little difficulty with the menu tree on the "Scoop." So I called Mike and he explained things to me, and it all became clear. I was able to dial my Los Angeles based codec and connect. Then I had to configure both ends to sync-up with the same algorithm and we were goodto-go. I used L2-Mono to transmit and G.722 return. This will give me high quality audio back to the studio and also reduce the delay both directions. I would recommend the "Scoop EZ" for most broadcast situations and would definitely recommend the "Scoop" for small hard to reach places.
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